Because You Asked For It

First a note: I'm shutting down my Facebook, so if you use my posts on there to find my blog, you obviously won't be seeing them anymore. You can sign up to get emails when I post, if you want to keep following me, in the box to the right on your screen. Otherwise, let me know and I'll be sure to let you know when I put up new poems/posts. You can email me at emilyymariee@gmail.com if you want to be on that list of emails.

Now for the real stuff...

Listen to The Shins cover The Postal Service's "We Will Become Silhouettes" and hear these words...

How do I know I'm a "writer," and not a writer? I just watched The Simpsons episode "The Book Job" featuring Neil Gaiman and spoofing the Ocean's trilogy, and realized that as Lisa was trying to write the next great teen series, she looked like me.

I've got a cupboard with cans of food, filtered water, and pictures of you.

And I'm not coming out until this is all over.

She reorganizes her CD collection. I create a new Pandora station. She goes to a coffee shop, as do I. She watches the entire series of Friday Night Lights, and I'm watching her. We get mad at sellouts, we play with pencils, we kill time, we write next to nothing.

I know, it's stupid that I'm using Lisa Simpson as a metaphor for my life. I get it. And really, I don't even watch The Simpsons. I was just procrastinating... the life of a "writer." (But give me a little slack: Neil Gaiman was in it, so how could I not watch, right?)

So I'm taking my headphones and a notebook out, and I'm going to start writing a story that's not quite fiction, and I don't know where it will go yet. But I've been asked for it, by my stepfather, and an ex, and some boy in some city some where, and by the smiley-est girl in all of Colorado, and by my own need for recognition, and by that feeling in my heart when I believe in greatness because the right song is on and I close my eyes and my hair is curled and I feel light and like flying.

Because you asked for it, I will create, and I will not abandon my own pages this time.

I don't know what it's about yet, but I know I'll know when it's finished. So now just for the start.

You're right, I'm not giving you much here. But I'll tell you this: today's the day I start the next big thing. It's a story of a girl who's almost me, but not me enough to be somebody else so I can make up all the wonderful and awful things that happen to her.

She loves going to the movies alone because she hopes to see some grumpy boy on a date, looking miserable, so she can nickname him Holden. And she's unstable as Esther Greenwood, but she'd never try to kill herself. And she's just realized that she has faith in herself, really, for the first time, and has moments of infinite feeling, like Charlie the wallflower. She's sweet as Scout, and gentle as her "Hey, Boo." She's as adventurous as Sal Paradise, and thinks about the sadness and wonderfulness of life like him too. She's reaching into something bigger than herself and trying, like Nick Carraway, to look like she belongs.

She's a philosopher, a heartbreaker, a beauty, a poet, a lover. She has been let down, and she is ready to surpass her highest highs. She is, quite simply, a real girl.

She isn't me. But I'll tell her story. I'll write her name.

And today's the day I begin.

Had You Followed Me Home

An old poem: for October and November, for quirks, for happy times and timely goodbyes.

Had You Followed Me Home
For all the things that never happened with you,
and all the things that shouldn't have happened to anyone else.

If you had followed me here, we’d be in the breaking leaves
behind my parents’ house—the dying earrings of the cottonwood
litter the grass, the chopped onions from a mower blade in a lawn salad.
Your warm Pacific blood would move slowly and
you’d beg my worn Midwestern hands to assure you—
You’d stand, swirled by yard dusts and flakes,
and I’d touch your knee and smile with my father’s laughter
when we’d meet him for pizza on an October Thursday in Chicago.
We’d see my high school friends and sing our way to the all-night diner
that’s been made-over (purple ceilings and yellow walls) by the
Greeks who’ve owned it for the last five-hundred years or so.
Holding the menu half open, you’d order—no, ask for—chocolate cake and
my friends would taunt and tease you, actions typically reserved for me.
I’d swipe a taste of the frosting and bury myself in the corner of the booth,
green glows for irises at the impossibility of you on the vinyl with me.
Had you followed me home, you’d have seen Chicago play a symphony of who I am:
the Metra hum beats percussion with State Street brass and theater light strings
and my hometown, my mother’s house—its mellow reeds play woodwind tones.
In grass under cotton shade, we—with closed eyes—would float on
the rising of the suburban orchestra and then, with the birth of these thoughts,
you’d tune the masterpiece and call it love.

A Tribute to Anne & Ian

I want any where but here. I don't care if I'm alone. I just want out of this cubicle.
Seven years: some of them have been here, doing this, for seven years.

How do people do this? They say, "Easy job. Decent pay. Reasonable hours."

I say I'm going insane, sitting here staring at the same three textured little waist-high walls that shut me out from the rest of the office. I'm in the back with a real wall to my right, over the carpeted hedge.

It's almost demeaning. No windows, just three rows of little worlds: phone, computer, catalogs. I need out of here. Everybody should need out of here.

Just on a twenty minute call:
"Ok, ma'am, I'm going to spell that first name back to you. V like Victor-I-E-T like Thomas-R Robert-A, correct?"
She says yes and gets frustrated that I can't find her in the system. Exasperated. I ask her who she's shipping to and look up her boyfriend's name. Mark. I find him and the order confirmation.
My, my, Vietra, what cute little shorts you're getting for the boyfriend. Funny that you first referred to him as your husband. (I don't ask. There's a reason she's shipping directly to the man.)
"Ok ma'am, I apologize for the delay. I've found your order here using Mark's name, and just once more, I'm going to spell your name to make sure we've got it correct on the order here: V Victor-I-E-T-R-A and the last name starts with B like boy?"
And then she snaps, "No! It's a D. It starts with a D. Like... like Dead." Well, that's certainly uplifting, Ms. D--. Golly. "I see. Well let's cancel your original order and open a new one because it looks like the original was put in for cheer shorts, not boxers, and I'm sure Mark would prefer the boxers."
"What's the difference?" she scoffs.
"The cheer shorts are for women and fit like softball shorts, and the boxers are for men. Like boxers, ma'am."
"Oh." Yup.
Here's my issue: I pull up her order, and her initials: D. B. not V.D. Learn how to spell your name, Dietra. Are you even listening?
V like Victor. D like David. Not the same thing. What are you hearing?
Delaware. Another state I've never been to, but right now, I'm glad; at least I'm not going to run into Vie--I mean-- Dietra when I stop for lunch on the way to work.

So I send her boyfriend some boxers and roll my eyes; why don't people hear anything?


I spent last weekend in a blackhole, a parallel of lives that were not my own. And I came out on the other side with few lessons learned:

We all need people.
We all need books.

More noise. More poetry. More revolution.
More plumbers and Netflix and hardwood living rooms and Saturdays and lawyers and busses. And housewives and sisters. More Annie, more Ian.

Yes, more busses and streets and birds and mornings and floors.
Less carpet. Less work. More real. More laughter. More youth.
We need more hummingbirds.

("Yes, Ms. Humphries, I know that the website should tell you that there will be additional charges, and I agree that it is unfair as is... No, I don't write the code for the web so there's really nothing I can do." When did I become such a sell out? I should move to the city; this office is killing me. And Ms. Humphries, please don't call me sleazy again. "Yes ma'am, I do know how to spell sleazy... Yes, I did go to college..." not that it's any of your business. "Yes ma'am, I do have a conscience, a big one. My mother gave it to me, and I don't ever take that for granted... Yes, she is a good woman. She gets it from her mother." Was your mother a good woman, Ms. Humpfries? Are you?)

We get stuck. Not ruts. More like dry troughs or run-off ditches. More like deserts.

This is the desert and I am searching for Moses--lead me out, old bearded patriarch.
Or Aaron, too, a man with a voice.

Someone just lead me out, anywhere but this cubicle. Anywhere but Delaware.

"I'm glad your daughter is in love, Adelaide. Summer must be a happy girl, and I'm sure Charles is a lucky man. We'll get this order in and you'll be receiving your confirmation shortly." Thanks for reminding me about all of us who aren't happy-in-love. Thanks for bringing up summer, that season of empty passion. "Oh, no, thank you ma'am, it was a pleasure, and good luck with the rest of your holiday shopping. Enjoy the season!"

Because it's cold, because it's anything but summer, and I'll find a way to be anywhere but here.

We all need books.

More noise.
More poetry.
More revolution.

And all the president's men.

Anklet

If I were to make a road map,
I’d begin with where I am
which would span into the metro
and plains mountains deserts
oceans continents that haven’t
had the please of my bare
feet digging through their
soil grain dirt dust sand—
our toes sliding over white
porous stone on glowing
cerulean greenblue seas—

The map veins would circle
in the net of longitude-latitude
yarn choking the hemispheres
in place—a fat ham in my
mother’s Chicago Easter Morning
Kitchen, the lines holding meat,
threading spools of fishing line,
wrapping packages.

I’d sketch the map of every thing
that ever passed between us—
word and wave stitched together
with the string around your ankle.

Waking Up

I took a nap for the summer.

I slept in the wake of funerals and baseball games and hot afternoons. I curled up in a nest of cool basement air, of inconsistency and laundry baskets and evenings on front porches in recliners.

I was in a coma of lust for life and other things, a trance of disproportion and an adventure that took me no where in particular, but home.

And home is where I hope to wake up.

A professor told me near the end of last semester that I was in a funk, and that a trip to DC would pull me out. It did something, but I think I ended up losing part of myself in the capitol's old thick air and its sidewalks, which seem to know more than those of Chicago or Denver. The city has been breathing. The people wake and sleep.

When I returned, I moved out of my apartment and into my vagabond summer, the strangest of my life. And though it had some of the best days I'll ever know, I look back on an October morning and laugh: wasted time and useless motions.

What did I read? What did I write? Where did I spend my weekday mornings? When did I run? Who did I love? Why did I cry?

All just to end up where I began, another midwestern girl in a small town with a wish to get out. But this time, things are changing: Maybe I'll go somewhere new.

In the summer slumber, I fell into some directional blindness. I saw nothing of where I was headed until I was there, in everything I did: where I lived, somewhere new nearly every week); when I worked, checking my schedule only the morning of; who I saw, making plans on my own whims and movement. All these things with no intentionality.

And now I feel invisible. Youngest person in the office and all us little women answer the phones: "Thank you for calling. This is Emily. How may I help you today?" followed by either, "Great, may I have your order number?" or "Alright, are you calling with one of our catalogs today?"

What am I doing? Still sleeping.

But the choice now is to be awake and wide-eyed and ready--for a campaign, for a crowd, for a move, a leap, a change. And I will be.

There is no excuse for the post-graduation summer to linger through October morning moons.

So I say, "Good morning Moon," and Mrs. Hill of Indiana puts me on hold to the sound of country music while I'm waiting for her credit card number, then I laugh, and continue, "Good morning Sun."

I'm waking up.

The Weight

I keep wanting to start things, but I'm afraid of finishing.
When you finish something, you want it to be good, to be right, to know perfection.

But that's too much Weight.

The Weight

For Thomas Walter, Stephen Thomas, and Thomas Stephen.

I laid down in my home town, feeling the weight of the dead,

fresh off the flying machine with altitude dropping in my head.

Here, brother, I made it, where’s Grandfather in his eternal bed?

He looked down, and shook his head, and Here was all he said.

Let your cross fall, Grandmother.

Let your burden fall free.

Let your cross fall, Grandmother, and

pass your lover’s timber box on to me.

I picked out dark sister, and I took her to the alley to hide,

then I saw how same and different we are, standing at her side.

I said Hey Sister, where’s your life going, there downtown?

She said, It’s something else—this town ain’t a place to stay around.

Lay your load down, Father.

Let your weight fall free.

Lay your load down, Father, and

pass your handle on to me.

Go hush great-grandchild, there’s nothing you’ll ever say;

It’s us asleep and waiting—to see the man on Judgment Day.

Well Thomas, my brother, our children, he’ll never see,

But I say, Burn our worries, brother, our stories will keep us company.

Let your pain fade, Thomas.

Let your name be free.

Let your pain fade, Thomas, and

pass your name right on to me.

Mister Grief came in shadow stalking, and settled on me, a fog.

He said, I will take your heart, blanket and warm you in my smog.

I told him, I’ll stay awhile, Darling, but I’ll leave you alone, man.

He said, You think you’ll leave, girl, but you’ll come back when can.

Take a load off, child.

Leave it there buried.

Take a load off, child, and

put it in the ground for me.

We held our unthorned roses, and all stood there in line.

Our ungloved hands, were shaking then, knowing it was time

To drop the petals and the bones, with the casket all as one.

We said goodnight, grand man, rest well from everyone.

Take a load off, Grandfather.

Let your spirit fly free.

Take a load off, Grandfather, and

You stay in heaven and keep a watch on me.

Mountain Breath

Miles out from the foothills at the end of a July light:

look up and west.

Peer beyond those ridges, to the verdant valleys

nestled between weighty hills.

Then, when the sun hangs low,

and the clouds grow heavy, spilling with wet pearls

You will see the earth reborn.

Breath goes climbing and life comes falling, in drops, sheets.

Watch it come graceful and smooth over all,

heaven and creation.

I stood east of the range, and

saw the great land go up,

crawling through golden, misted flame,

reaching into the lungs of God.

He spat life down on the hills.

I watched with the eye He gave me,

and I will tell you—with the rhythm of

the rain in my chest—this:

This is the way of the rain,

the Creator falling with the air.